A creative year

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At Halloween, the wheel of the year turned.  The energies of the old year waned, to clear the way for a new year with a fresh tide of energy.  There’s no need to wait until 1st January to make new year resolutions.  Instead, you might want to begin now, using the rhythms of the ancient year to plan and complete your creative projects.  Whether we realise it consciously or not, we are attuned to these natural energies and the cycles of the sun.  So it makes sense to plan our year around the hooks of the seasons.  One reason so many new year’s resolutions fail could be that we dive straight into them at a time when we should still be shaping our plans ready for spring.  Using the wheel of the year gives us the necessary prompts to begin our projects with the proper preparation and to give them the right kind of focus at the times that feel appropriate.

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It may seem strange that a year based on cycles of energy should begin when everything is dying.  More appropriate perhaps, to begin in spring, when the earth is vital and fresh energy abounds.  But there can be no spring without a period of rest and preparation and this is what the start of the year is about.   Think of winter as a dreaming time.  The weeks between Halloween and the winter solstice should be still and introspective.  They’re a time to dream, but to dream with purpose.  Don’t fritter away the hushed, dark months.  Use them to visualise what your creative dreams will be this year.  What will you write?  What will you paint? What do you want to harvest when autumn comes again?  This is not a time for realism, but for dreaming your biggest dreams of what your year could be.

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At the winter solstice, the sun and mother nature are reborn and the spark of creativity grows a little brighter.  Daylight slowly begins to lengthen after the longest night.  It may still seem like the dreaming time, but there has been a barely perceptible shift.  Think of this as a honing time.  Begin to shape and sharpen your dreams.  Now is the time to hone those visions into goals and projects you’re confident you can put into practice.

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At Candlemas, the first small signs of spring begin to appear.  It’s a depressing time for many, with the distractions of yuletide over and the days still cold and dark.  Spring still feels far away.  I think of this as the incubating time.  You’ve honed your ideas and now it’s time to sow the seeds of the year’s projects and plan how you’ll nurture them.  As the seeds start to germinate in the slowly warming ground, begin to gather the materials and tools you will need and decide what action you will take to put your plans into practice.

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Spring equinox heralds the growing time.  Now is the time for action.  You should be able to see and feel the signs of spring.  Though the weather is unsettled and the winds blow, they bring with them a point of balance followed by fresh energy.  After the equinox, the days will be longer than the nights.  Your spirit should feel lighter and ready for action.  It’s time to focus and put all your energy into making the projects you’ve dreamed about happen.

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By Beltane, you should be seeing real signs of progress.  This is a festival of joy, sensuality, fertility and self-expression.  It’s a time to revel in the act of creation and the effect this has on your senses.  After the preparation of winter and spring, your mind should be fertile with ideas.  Beltane is the beginning of the blooming time, when your projects begin to flourish.  This is also a good time for collaboration with others and communal celebration.

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Summer solstice arrives and the sun is at its height.  This is the longest day and you should be making the most of the warmth and light of summer to help your projects thrive.  This is a time of empowerment, when the time is right to pursue outward success.  You could use this as a period to show or submit your work, or to ensure it’s ready for you to do so.   But don’t forget that after today, the days become shorter.  So the solstice is also a reminder to make the most of what is left of the light, to boost your health and gather energy to prepare you for the winter.

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Lammas is the first harvest and marks the fading of summer.  This is the tide of transformation.  As the sun fades, its spirit is woven into the corn to preserve it through the winter.  Wheat is cut down but is transformed into bread and baked goods to feed us.  You’ve worked hard on your creative projects since the beginning of the year and now is partly a time to recognise the work you’ve done and the sacrifices you’ve made.  But you can still affect what your final harvest will be, so it’s time to reflect on what still needs to be done to achieve your goals.

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Autumn equinox leads us into balance once more, but this time darkness will begin to take over.  This is a time of storms and tension, as we accept that the light is dying and darkness coming.  We now turn inwards.  This is the harvesting tide, when you have your reckoning.  Have you achieved all of the things you wanted to achieve this year?  What could you have done differently to gather the harvest you would have wished for?  Whatever the outcome, you should make time to celebrate your successes and begin to consider the seeds you will sow next year.

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Finally, we return to Halloween, when we honour our ancestors, including the artists and writers who have gone before and inspired us.  We also try to divine the future and create a little mischief before retreating back into the dreaming time.  So if you think using the wheel of the year could work for you, it’s time to begin.  Don’t be downhearted by the encroaching darkness.  Instead, use it as an opportunity to dream bigger than you’ve ever dreamed before.

Click on the links for more information about the themes of each festival and look out for upcoming posts that will explore these ideas in more detail. 

(If you live in the southern hemisphere, the year may make more sense to you if you begin at Beltane.)

Completion

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As we approach the autumn equinox, which is a point of perfect balance within the year, wind and rain have heralded a palpable change in the season.  Though the vegetation is still green and the trees are clinging to their foliage, the first few leaves litter the park.  I notice berries everywhere: fat clusters of rowan, glossy rosehips, fiery sea buckthorn and white snowberries.  Fungi still fruits and disappears overnight.  Seeds latch on to clothing and drift through windows.  The heating is on once more and I often wrap a blanket around me to keep me warm.  The nights have darkened rapidly and it won’t be long before we put the clocks back.

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Night and day are equal on the equinox, as they are in spring, but this time, the hours of darkness will take over, with the nights lengthening until the solstice in December.  This is the time for turning inwards, both physically, when we don’t feel so much like leaving the house, but also mentally.  It’s the season of the mind and of the soul, when we can rest, be still and concentrate on intellectual and spiritual concerns.  If we’re willing to embrace the darkness, this can be a time of deep creativity.

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But before the stillness arrives, the turbulent energies of this transition must come into equilibrium.  It’s a season of storms in the physical world and just as in the spring, it can be a challenging time mentally, as we let go of the light and expansion of summer and accept the coming darkness and repose.  For me, it brings a return to a challenging time of year in my day job after a couple of weeks of holiday, when I once again feel constrained by the routine stresses that suck energy from family life and creativity.  In her excellent post, Unpeeled, Helen White captures many of the things I am feeling at this time of year.

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At Lammas, we celebrated the grain harvest, but at the equinox, we celebrate the completion of the harvest, when the final fruits and vegetables are brought in.  It’s a time of reckoning, when our ancestors would discover whether or not the harvest was enough to see them though the winter.  In the UK, this is a crucial harvest for many farmers, after the wet summer last year and this year’s long winter and slow spring.  If you’re like me, you buy your groceries without giving too much thought to the effort involved in bringing them to harvest – I hardly noticed the bad harvest last year, because I could still buy the fruit and vegetables I wanted.  This year, I’ve been learning more about what it takes to produce the food I eat and it’s given me a great respect for all the attention paid to each crop.

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But this is a time of reckoning for all of us, when we identify and celebrate our more personal achievements.  The goals we set in spring with hopefulness have either come to fruition or not.  This is a good time to gather together symbols of what you have achieved this year – completed work, plaudits, awards, complimentary words, new ideas, new connections – and display them in your own ‘harvest festival’.

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But the cycle always continues, so just as the farmers will be planting new seeds into the stubble of the current harvest, it’s also time to begin thinking of the seeds you will nurture next spring.  Consider what went well this year and what you could do differently to have a more bountiful harvest next year.  And begin to think about the ideas you can contemplate and refine during the long winter slumber, ready to be sown in spring.

If you’re in the southern hemisphere, you will be experiencing the spring equinox, so you may find this post of interest.

The sun stands still

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The meadow is the essence of summer.  Sun-drenched, delicate grasses swaying gently in a light breeze; spindly bobbing buttercups; squat purple clover and pale pink ragged robin with their windmill-shaped petals.  Swallows are lightning acrobats, diving low over the meadow to eat their fill of insects.  Butterflies and bees meander from flower to flower.  A procession of three male pheasants clucks through the grass, their bright plumage just visible among the vegetation.  A brook, glutted after days of rain, gurgles in the background.  The surrounding forest wears its summer plumage with abandon, oak and ash and pine lush with leaf and entwined with the hedonism of rhododendrons in luminous pink flower.

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Solstice is one of my favourite words.  I find the sound of it soothing and mysterious.  It conjures magic and anticipation.  Literally, its meaning is simple: ‘the standing still of the sun’.  And this idea too, I find evocative – a tipping point, when all in the heavens is unmoving, before the next phase in the cycle begins.  Solstice marks both the longest day, at midsummer and the longest night, in the dark of December.  The midsummer solstice signifies both plenty – the longest day when the sun is at the height of its power – but also heralds the lean winter to come.

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If you pay quiet attention, you can already sense the loss in the air.  It isn’t quite tangible, but from this day, the daylight will become shorter as the summer inevitably ends.  And yet this is a paradox, since it is following the solstice that summer for us in the UK really begins.  The hottest months are still to come, the summer holidays, the season of being outdoors.  Summer solstice is a celebration of all those carefree events that happen when there is an abundance of light.  The transition to shortening days is a reminder that everything moves in a cycle, but for now, we should celebrate what we have and enjoy the things that are bearing fruit for us.

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Here, the slow spring has finally blossomed into summer.  The days have been humid, flowers are blooming and you can hear the song of the summer birds.  While I would always choose the delights of autumn and winter over those of summer, my soul responds to the season’s energies almost despite itself.  I feel lighter and more open.  I want to be outside in the long days and evenings.  My body craves the fresh fruits and vegetables of the season.  I like to feel the heat on my skin.  I want to go down to the sea and plunge in to the cool water.  Perhaps the reason summer is my least favourite season is because I’m much more comfortable turning inwards to the succour of darkness and solitude, but we all need a pause from introversion to replenish the lightness of our being.

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Summer solstice is a time for empowerment.  As the crops are ripening in the fields and the fruits on the trees, so the creative projects we germinated and nurtured in spring begin to bloom.  If we chose our projects wisely and invested the time, energy and resources they needed during the growing season, we should now be feeling pleased with what is emerging.  Midsummer is the time for success and material wellbeing and is a good time to put energy into making outward success happen.  But at the personal level, it is about renewing your energy and healing.  The long days and warmth should make us feel more vital.  They should also make us more outward looking.  Creatively, we could use this lighter aspect to be looser, more experimental, liberating ourselves from looking inward in the way we would in the darker seasons.  To be most effective creatively, we need to attend both to our physical health, by taking advantage of fresh produce and opportunities to be active, but also our mental health, by absorbing light, warmth and the rejuvenating effect of green spaces.

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How can you empower yourself around the solstice to renew your creativity?  How can you build up and store the season’s energy to get you through the winter to come?  It’s traditional on the summer solstice to stay awake all night, holding vigil until dawn comes and we can greet the sun, particularly at those ancient sites that are aligned to it at this time of year.  Why not devise a vigil that uses the images and energies of midsummer to help boost your creativity for the remaining year?  You don’t need to hold vigil on the solstice itself for this to have a benefit to you – any time around midsummer will do and it will be more practical to choose a time when you don’t have commitments the next day.

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You could spend the darkest hours of the night meditating on your creative work this past year and which aspects of your creative energies need to be replenished.  Lighting a fire or a candle can remind you that creativity, like the sun, is cyclical and will come and go.  Do you fly through your creative projects when your energy is high without really noticing it and become despondent when it seems to ebb, or do you recognise and accept that you have your own cycles of creative energy?  Greeting the dawn, in whichever way makes sense to you, represents the return of creativity, whenever it comes.  At noon, when the sun is at its strongest, you could consider how best to recognise, use and harvest your creativity when it is at its peak.  Then, at sunset, as the sun wanes, think about how you can accept the ebbs in creative energy and use what you have harvested to get you through the barren periods.

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This solstice, the forest is my creative vigil.  I have come here to replenish my energy, take in the sun through long walks and revel in the flower-studded meadows.  At dawn, I notice the moon still bright through the trees and the cacophony of birdsong in the silence.  Our longer walks take place in the morning, before the sun peaks, so noon is spent bathing in the dappled heat on the tree-shaded deck, losing myself in art magazines and an absorbing book.  Sunset is for bat-hunting, listening to the guttural sound of pipistrelles on the bat detector as they flit through the trees around the cabin.  Just like summer, this is a fleeting point in the year that I can hold onto to get me through the winter.  Knowing that when it’s over, it won’t be too long before I come again, to feel that same sigh of relief as my spirit relaxes.  Already, I want to paint again and invent new stories.

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But there is death too in the forest, reminding us that the sun has reached its zenith and can now only wane until the winter solstice.  A thrush, taking its dying breaths on our veranda, seemingly untouched, but fading each minute, until we lay it to rest with a prayer under a bower of rhododendron, returning it to the forest.  Three tiny moles, only feet apart on the woodland path, their soft pink noses upturned in death.  The bee that strayed too close to the hot tub and ended its life in a bubbling dance of legs and wings.  Death, reminding me that I need to seize the energy the forest has given me.  I must use this energy, not waste it, when I return home, because it, like the season, is all too fleeting.

Between the worlds

Often, I imagine all the writers and artists of the world, toiling away in our separate creative spaces, scattered, but connected by our need to create.  I love to look at photographs of writers, but it’s not the portraits displayed on book jackets that I want to see, it’s those of the writer captured at work.  I want to scrutinise their tools, their notes, their keepsakes – to watch the creative process at work.  I think of them engaged in their work at old battered desks, piled with papers and books; at scoured kitchen tables, littered with coffee mugs; curled up in bed against a pile of cushions; or scribbling in a notebook among the bustle of a busy cafe.  I love, too, to see artists in their surroundings: in huge industrial spaces filled with mysterious objects; airy attics crammed with canvases and adorned with clods of paint; or perched with easel or sketchbook on the brow of a mountain or in the hollow of a sand dune.

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What we all have in common, when we’re immersed in our work, is that we’ve found our place between the worlds, where the magic of creativity can occur.  The phrase ‘between the worlds’ is sometimes used by witches to describe the space generated when we cast a circle.  It’s a space apart from, but within, normal life.  Most of us don’t have our own dedicated ritual space, just as many of us don’t have a separate study or studio, so the circle acts as a marker, conjured from energy, in which to enact the ritual.  And I believe this is also what happens when we create.  I don’t cast a circle when I write or paint, but almost unconsciously, I build an intangible space around myself, forged from the energy I’m using to create.  The real world becomes blurred as I get lost in words or images.

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The places in which I work are varied and dependent on what it is I want to create.  There’s a tiny room, packed with books, keepsakes, art and writing materials.  It’s a peaceful space, with a comfortable chair and a blanket for warmth that I use for contemplation.  There is the spot next to the window in our sitting room where my easel is placed, because it gets light and I can still interact with the life of the house.  My creative space is also portable: it’s in my notebook, my sketchbook, my laptop.  We all need a place where we feel we can create, but what space do you actually need?  Is your creative space a physical one, or is it a space inside your head?  None of the places I use are dedicated ones.  But when I’m creating, they become sacred space of a kind, so that it’s possible to tune out the mundane things and forge something out of nothing.  Magic is creativity and creativity is magic, in the sense that we’re using something we can’t see (energy), to make a physical change in the world.

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If the world is nothing but energy, vibrating on different frequencies, as modern theories of physics seem to suggest, there’s nothing to stop us making creative space anywhere.  And just as in magic, where the energy raised might be used to heal, to bind, to celebrate, so creative space can be used for many different purposes.  Whenever we work, at that moment, in different parts of the world, there will be countless others writing, painting, sketching or sculpting, all using creative energy.  If you try hard, you can feel the force of it, all that energy, like a furnace forging change.  If you’re finding it difficult to focus, or to find a suitable space to dedicate to your craft, perhaps you can channel it.  Consider the type of energy that you need and gather the circle around you to create your own world between the worlds.

Hatching

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The weeks around the spring equinox can be unsettled and chaotic, as the energies of nature battle to come into balance.   The signs of spring are obvious now, but the weather is still unpredictable.  Here, there are spring flowers bursting through the soil wherever I look, yet within the space of days the weather brings us snow, sunshine, fog and drizzle.  The wild March winds have made their debut, heralding this season of exuberant energy and movement.  It’s a season of growth, symbolised particularly by the dazzling yellow banks of daffodils known as the harbingers of spring.  Hares, the totem of the Goddess, are also a symbol of this festival, tearing through the fields with their own mad spring energy.  The equinox itself (also known as Ostara or Eostre, after the Germanic Goddess) is a moment of perfect balance, when the hours of daylight and darkness are equal, but following the equinox battle, the sun will have won, and the mornings and evenings will grow lighter as daylight expands.

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I can feel the difference in energy – there’s an optimism and a need to clean out and start anew.  In the weeks leading up to the equinox, I’ve been de-cluttering – putting aside old clothes for charity and taking the junk that’s accumulated over the winter to the dump.  Ostara is an ideal time for spring cleaning, and I find I want to do it at this time of year – to open up the doors and windows and let the spring energy blow in.  The brighter light illuminates the things we haven’t noticed during the winter – both physically and spiritually.  On a mundane level, I’m noticing all the hidden areas that need to be cleaned and considering which bits of home maintenance need to be done this year.  On the equinox itself, I’ll sweep the house with a besom broom – not to get rid of the dust, but to create movement in the energy of the home, to brush out some of winter’s lethargy and make space for the vitality of spring.

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I’ll also be considering how I can spring clean my creative process, to rid myself of bad habits and make way for new practices that will help me to work more effectively.  Because the real purpose of spring cleaning is to create a space where balance can exist.  Creatively, how can you spring clean the way you work so that you have less of what you don’t need and more of what you do, so that you create from a more balanced place?

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It’s not enough to clear out the old, useless habits, without bringing in some helpful new ones.  Ostara is a time of action.  In nature, things are moving.  It’s a season of breaking soil, bursting buds and hatching life – shoots pushing through the ground, trees bursting into first leaf, flowers blooming.  Nature is in full, intense motion.  As in nature, so in your creativity: the ideas that you incubated at Imbolc are now almost at the point of hatching.  Then, they were tiny seeds, waiting in the darkness.  Now, after the long respite of winter, it’s time to begin to act on them and do something concrete to put them in motion.   This year, I’ll be following the ancient tradition of decorating eggs, each one representing a creative project I’m bringing into action.  Eggs represent potential – the potential of renewal and birth, whether of a physical or a creative entity.

So, why not try decorating some eggs yourself, with symbols that represent the projects you want to harvest later in the year.  Magic is about intention and will as well as the craft of the spell or ritual itself, so as you work, focus your intention on how you will bring your projects to fruition.  Then act.